Cinema – Cinema

January 17, 2019

HOW BEALE STREET GOT THOSE EYE-POPPING COLORS.

The scene takes place in front of a convenience store in the West Village, where the red tones of the neighborhood are broken up with a neon-green glow. “There’s this really kind of eerie green fluorescent vibe coming out of the grocery store,” Laxton says. “It’s on Fonny and Tish, but only in backlight. And it falls on the officer’s face in a way that gives the character a little…

January 16, 2019

NVIDIA and RED ARE WORKING TO MAKE 8K RAW POST AFFORDABLE

The RTX6000 can be used by other software (not just RED) to accelerate other things. When decoding RED RAW, you’ll get real-time 8K.

December 30, 2018

MRS. MAISEL LOOK MARVELOUS W/ PANAVISION PRIMO’S

I was reminded of Conrad Hall’s term ‘romantic realism,’ which describes lighting that feels like it comes from practical fixtures and natural light, but the lighting is heightened to be at its most dramatic or attractive.”

February 26, 2017

DP, BRIAN BRADLEY LENSES 2Omin SHORT

DP Brian Bradley has completed production on “Sing of the Whale”. Clocking in at under 20 minutes, visually and story structure wise this film stands on it’s own as a preview of what could be a full blown feature, given support and funding.

July 30, 2015

BEST BLACK & WHITE CINEMATORGRAPHY

Sure, black and white may be most associated with older films — films made before color was an option. Even after color stocks became the norm, however, directors and cinematographers continued to choose to shoot some projects in black and white.

May 13, 2015

HOW TO BREAK DOWN A SCRIPT

Great cinematographers don’t just show up on set, capture some images, and call it good. They work tirelessly and meticulously though the pre-production process in order to ensure that once they arrive on set, most of the work has already been done.