CAMERA: Arri Alexa Mini and LENSES: Zeiss Super Speeds
CAMERA: RED V-Raptor and LENSES: 50mm Arri Ultra Prime
CAMERA: Sony a7S and LENSes: 50mm Zeiss Distagon
CAMERA: RED Gemini and LENS: Sigma Cine Primes
CAMERA: RED Scarlet and LENSES: Vintage Leica-R
CAMERA: RED Epic Weapon and LENSES: Sony Cine Atla Primes
Are you ready to upgrade the quality of your next production? Then you need to shoot your next project in 8k. RED EPIC-Weapon with 8k sensor is the only camera that offers resolution. So how does this compare to a standard DSLR camera like a Canon 5d. RED Epic-Weapon has a greater Color BIT Depth, 4x more resolution than 4K and over 17x the number of pixels than a 1080P. Which gives you more image clarity, contrast and pixel accuracy than a typical DSLR camera. So if you desire your content or film to in 600nits to 1000nits High Dynamic Range on any of the streaming giants e.g. Netflix or Apple TV than size and pixels count.
When outputting 8K resolution files down to 4K or 1080p HD resolution, your image will appear more refined and detailed compared to content captured at lower resolutions. So what does this mean for your content YouTube and Vimeo? When your customers stream it from their iPhones it will appear sharper and with more detail. The choice is simple; Bigger is better and size really does matter.
Is your goal to have your content on one or all of the industry giant streaming platforms e.g. Netflix, Apple TV or Amazon? Then let’s deliver your content in the industry standard delivery formats REC2020 or P3 Color Space. So whether your customers are streaming your content to a Sony Dolby Vision REC2020 televisions or a P3 color space iPhone-X. Then let’s make your content pop off the screen. With a contrast ratio that delivers deeper blacks and brighter highlights than what traditional Standard Dynamic Range televisions can achieve. Making your content and characters appear sharper and with more detail.
ACES 1.0 provides digital image encoding that preserves your images latitude and color range of the original imagery, allowing the highest-quality images possible from the cameras through final delivery preserving your creative vision across mobile, theatrical and online viewing platforms.
Selection of stills from narrative shorts and music videos
• RED Epic-Weapon w/ 8K Sensor
• Canon FD Lenses: 28m, 35m, 55m, & 85m
• Geared Tripod Head
• Wireless Follow Focus (RT Motion)
• MōVI M15
• (2) 480g RED Mini Mags
• Black ProMist Filters
• Black Satin Filters
• Canon, & PL Mounts
• DSMC2 Standard OLPF Filter
• DSMC2 Low Light OLPF Filter
• DSMC2 Skin-Tone Highlight OLPF Filter
• O’Conner Matte Box
• IRND 0.9 Filter (3) Stops
• IRND 1.2 Filter (4) Stops
• IRND 1.5 Filter (5) Stops
• IRND 1.8 Filter (6) Stops
Short Films
Corporate Projects
Music Videos
Location Atlanta/Los Angeles
Mobile +1 (510) 220-0262
Email brianbradleyfilms@gmail.com
