FEATURED CLIENTS

CORPORATE SAMPLES

CAMERA: Sony a7S and LENS: 50mm Zeiss Distagon Lens

CAMERA: Canon c300 and LENS: 50mm Canon L-Series Lens

SIZE MATTERS SHOOT IN 8K

Are you ready to upgrade the quality of your next production? Then you need to shoot your next project in 8k. RED EPIC-Weapon with 8k sensor is the only camera that offers resolution. So how does this compare to a standard DSLR camera like a Canon 5d. RED Epic-Weapon has a greater Color BIT Depth, 4x more resolution than 4K and over 17x the number of pixels than a 1080P. Which gives you more image clarity, contrast and pixel accuracy than a typical DSLR camera. So if you desire your content or film to in 600nits to 1000nits High Dynamic Range on any of the streaming giants e.g. Netflix or Apple TV than size and pixels count.

BLOG ARTICLES

Cinema / 02/26/2017

DP, BRIAN BRADLEY LENSES 2Omin SHORT

DP Brian Bradley has completed production on “Sing of the Whale”. Clocking in at under 20 minutes, visually and...

Cinema / 08/19/2015

THE BEAUTIFUL OF CINEMATOGRAPHY

These cinematographers’ work is brilliant, powerful, inspiring, and all too often thankless. They, as well as many others, have...

Cinema / 08/18/2015

WHAT IT MEANS TO BE A CINEMATOGRAPHER

In a crowded market of emerging cinematographers, Bradford Young stands alone. If you’re unfamiliar with Young and his work, you...

Cinema / 08/14/2015

AMC’S TV SHOW SHOT ON RED DRAGON®

Cinematographer Shane Hurlbut, A.S.C., and AMC have joined forces for the highly-anticipated show Into the Badlands, shot on EPIC...

Cinema / 07/30/2015

BEST BLACK & WHITE CINEMATORGRAPHY

Sure, black and white may be most associated with older films — films made before color was an...

Cinema / 05/13/2015

HOW TO BREAK DOWN A SCRIPT

Great cinematographers don’t just show up on set, capture some images, and call it good. They work tirelessly and...

We worked with Brian on a commercial shoot that was important to us as a company. Brian is humble yet very professional, and very capable technically. He has a superb eye and technical mind. He is an asset to any size of production large or small. But what is also really tremendous about Brian is his warm, kind, genuine nature. Brian is an absolute pleasure to working alongside. Highly recommended and we will work again together in the future for sure. Again, highly recommended. Tony

Brian was DP on a narrative short that I recently did location sound for. He did an outstanding job on keeping the production moving through a tight and demanding schedule. Supervising/ directing lighting and camera setups with a relaxed, yet speedy work ethic, Brian delivered the goods for the Director on time and with the highest level of creative quality.

Brian assisted me on a short film; he was skilled and very professional. I'd not hesitate to work with him again.

Brian was the Cinematographer on a recent project for me at Adobe. He was thorough and prompt, showing up prepared with a collaborative attitude. A pleasure to work with, and the results look great.

Brian recently worked as Director of Photography on one of my films. He did a fantastic job! He is extremely organized, reliable, full of energy and worked late into the night on several occasions to ensure the job got done. He is incredibly talented, and has an in depth understanding of cameras, cinematography and color correction. He was a tremendous asset for my film as I’m sure he will be for your film or company. Brian has my highest recommendation.

“I've worked with Brian a number of times now and he is always on the ball. He has a clear vision for what he's creating but is always open to suggestions. He is graceful under presser if things go sideways and pools the talent around him to solve the problem. He creates awesome work and I will always be happy to work with him again.”

“Brian was an amazing DP to work with. He always kept a cool, calm and collected demeanor and was very approachable with recommendations. His operating skills are superb and always has a clear vision of what he wants. I plan on working with Brian on as many future projects as possible.”

“Brian's eye for cinematography is undoubtedly superb. While working with him on a pilot TV show, I noticed that Brian not only brought all of his camera operating skills to the table, but also his strong passion for success. Since the day we started working with him, he brought 100% effort and enthusiasm to the project and really helped us grow as a group.”

FUTURE PROOF YOUR FOOTAGE

When outputting 8K resolution files down to 4K or 1080p HD resolution, your image will appear more refined and detailed compared to content captured at lower resolutions. So what does this mean for your content YouTube and Vimeo? When your customers stream it from their iPhones it will appear sharper and with more detail. The choice is simple; Bigger is better and size really does matter.

IS YOUR CONTENT READY FOR NETFLIX & APPLE TV?

Is your goal to have your content on one or all of the industry giant streaming platforms e.g. Netflix, Apple TV or Amazon? Then let’s deliver your content in the industry standard delivery formats REC2020 or P3 Color Space. So whether your customers are streaming your content to a Sony Dolby Vision REC2020 televisions or a P3 color space iPhone-X. Then let’s make your content pop off the screen. With a contrast ratio that delivers deeper blacks and brighter highlights than what traditional Standard Dynamic Range televisions can achieve. Making your content and characters appear sharper and with more detail.

WHAT DOES ACES SOLVE & WHY US IT?

ACES 1.0 provides digital image encoding that preserves your images latitude and color range of the original imagery, allowing the highest-quality images possible from the cameras through final delivery preserving your creative vision across mobile, theatrical and online viewing platforms.

PRODUCTION STILLS

Selection of stills from narrative shorts and music videos

CREATIVE APPROACH

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Initial client meeting and review of clients creative brief and evaluation of there vision including a discussion of budget.

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Pre-production scouting begins with the gathering of resources needed to bring your vision to life.

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Final meeting with client before filming to cover storyboard, budget and how production resources will be utilized.

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6k high resolution filming begins based on client approved storyboard & reference images are utilized to film and light talent.

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Video footage is assembled based off the storyboard in narrative structure. This is also when the client will review the color corrected final edit.

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Final approve project is uploaded in 4k or 1080 to your social media outlet, where it can be viewed by all of your customers.

RED Epic Weapon with Super 35mm 8k sensor capable of delivering images in HDR standards P3 and REC2020

• RED Epic-Weapon w/ 8K Sensor
• Wireless Follow Focus (RT Motion)
• MōVI M15
• 4k HDR Monitor
• (2) 480g RED Mini Mags
• DSMC2 Base Expander
• PL Mount
• Canon Titanium Mount
• (4) Anton Bauer Cine Batteries

• Sigma 24mm, 50mm & 85mm f/1.4
• DSMC2 Standard OLPF Filter
• DSMC2 Low Light OLPF Filter
• DSMC2 Skin-Tone Highlight OLPF Filter
• O’Conner Matte Box
• IRND 0.9 Filter (3) Stops
• IRND 1.2 Filter (4) Stops
• IRND 1.5 Filter (5) Stops
• IRND 1.8 Filter (6) Stops

COLOR NOIR SHOWREEL

A selection of work from my 2017-2018 showreel.
Featuring work captured on various camera systems including;
RED Epic MX/Scarlet Dragon, Canon C300,
Blackmagic Cinema Camera and Sony fs7

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Short Films

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Corporate Projects

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Music Videos

Location

San Francisco/Los Angeles

Mobile

+1 (510) 220-0262

Email

info@brianbradleyfilms.com

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