COMPANY HISTORY

Brian Bradley is an accomplished San Francisco Bay Area film and video professional with a global understanding of the fast paced film and video production pipeline. With expertise in conceiving, managing and executing narrative content for national broadcast and social media outlets.

CORPORATE SAMPLES

CAMERA: Sony a7S and LENS: 50mm Zeiss Distagon Lens

CAMERA: Canon c300 and LENS: 50mm Canon L-Series Lens

SIZE MATTERS, SHOOT IN 8k

Are you ready to upgrade the quality of your next production? Than you need to shoot your next project in 8k. RED EPIC-Weapon with 8K sensor is the only camera that offers 8k resolution. So how does this compare to a standard DSLR camera? RED Epic-Weapon has 4x more resolution than 4K and over 17x the number of pixels than a 1080P . Which gives you more image clarity, contrast and pixel accuracy than a typical DSLR camera.

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SIZE MATTERS, SHOOT IN 8k
Brian was DP on a narrative short that I recently did location sound for. He did an outstanding job on keeping the production moving through a tight and demanding schedule. Supervising/ directing lighting and camera setups with a relaxed, yet speedy work ethic, Brian delivered the goods for the Director on time and with the highest level of creative quality.
Brian assisted me on a short film; he was skilled and very professional. I'd not hesitate to work with him again.
Brian was the Cinematographer on a recent project for me at Adobe. He was thorough and prompt, showing up prepared with a collaborative attitude. A pleasure to work with, and the results look great.
Brian recently worked as Director of Photography on one of my films. He did a fantastic job! He is extremely organized, reliable, full of energy and worked late into the night on several occasions to ensure the job got done. He is incredibly talented, and has an in depth understanding of cameras, cinematography and color correction. He was a tremendous asset for my film as I’m sure he will be for your film or company. Brian has my highest recommendation.
“I've worked with Brian a number of times now and he is always on the ball. He has a clear vision for what he's creating but is always open to suggestions. He is graceful under presser if things go sideways and pools the talent around him to solve the problem. He creates awesome work and I will always be happy to work with him again.”
“Brian was an amazing DP to work with. He always kept a cool, calm and collected demeanor and was very approachable with recommendations. His operating skills are superb and always has a clear vision of what he wants. I plan on working with Brian on as many future projects as possible.”
“Brian's eye for cinematography is undoubtedly superb. While working with him on a pilot TV show, I noticed that Brian not only brought all of his camera operating skills to the table, but also his strong passion for success. Since the day we started working with him, he brought 100% effort and enthusiasm to the project and really helped us grow as a group.”

FUTURE PROOF YOUR FOOTAGE

When outputting 8K resolution files to 4K or 1080p HD, your image will appear more refined and detailed compared to those captured at lower resolutions. The choice is simple; Bigger is better.

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FUTURE PROOF YOUR FOOTAGE

WHAT IS HDR & ARE YOU READY?

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WHAT DOES ACES SOLVE & WHY US IT?

ACES 1.0 provides digital image encoding that preserve your images latitude and color range of the original imagery, allowing the highest-quality images possible from the cameras through final delivery preserving your creative vision across mobile, theatrical and online viewing platforms.

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WHAT DOES ACES SOLVE & WHY US IT?

CREATIVE APPROACH

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Initial client meeting and review of clients creative brief and evaluation of there vision including a discussion of budget.

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Pre-production scouting begins with the gathering of resources needed to bring your vision to life.

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Final meeting with client before filming to cover storyboard, budget and how production resources will be utilized.

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6k high resolution filming begins based on client approved storyboard & reference images are utilized to film and light talent.

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Video footage is assembled based off the storyboard in narrative structure. This is also when the client will review the color corrected final edit.

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Final approve project is uploaded in 4k or 1080 to your social media outlet, where it can be viewed by all of your customers.
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• RED Epic-Weapon w/ 8K Sensor
• MōVI M15
• (2) 480g RED Mini Mags
• DSMC2 Base Expander
• PL Mount
• Canon Titanium Mount
• 4k HDR Monitor
• (4) Anton Bauer Cine Batteries
• FoolControl WiFi Mobile App Controller

• Sigma 24mm, 50mm & 85mm f/1.4
• DSMC2 Standard OLPF Filter
• DSMC2 Low Light OLPF Filter
• DSMC2 Skin-Tone Highlight OLPF Filter
• O’Conner Matte Box
• IRND 0.9 Filter (3) Stops
• IRND 1.2 Filter (4) Stops
• IRND 1.5 Filter (5) Stops
• IRND 1.8 Filter (6) Stops

Color Noir Show Reel

A selection of work from my 2017-2018 show reel. Featuring work captured on various camera systems including; RED Epic Weapon, Canon C300 and Sony fs7

More Details

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Short Films

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Corporate Projects

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Music Videos

Location
San Francisco/Los Angeles

Mobile
+1 (510) 220-0262

Email
info@brianbradleyfilms.com

PRODUCTION INQUIRIES

If you have questions or want to book me for your next production. Please contact me and I can answer any questions you may have.

SAY HELLO